![]() This is based on the model of 7 phases by De Crée and Edmonds (2012).Īdditionally I can add that generally speaking there are 4 kinds of uchi-mata (from migi-shizen-tai, right-stance) When it comes to what is generally known as the 'final' phase kake 掛け (execution), this can be expanded with 'nageru' 投げる (the actual throwing) and finally 'zanshin' (the follow through, literally, the “continuation of the spirit”) as in controlling your opponent after the throw, like you would do in nage-no-kata just after performing seoi-nage, looking firmly at the ground just past your uke, holding his arm. Kuzushi 崩し (unbalancing) can also be divided into different parts but I don't remember them right now. The 'tsukuri' 作り (preparation) phase is usually divided into two parts aite-no-tsukuri 相手の造 (preparing of the opponent) and 'jibun-no-tsukuri' 自分の造 (preparing of self). The 'debana' 出端 (opportunity) and 'kumu' 組む (gripping) might be different. Within each of them are there are several technical elements. when performing sumi-otoshi where uke's kuzushi comes forward instead of to his rear corner.Įach of these entries have several variations, but the above list might give you an idea. 'Tsuri' often being refered to as 'fishing' or lifting. When uke reacts in a certain way, especially if you predict it (sen-sen-no-sen) he is effectively doing the tsukuri for you. This is the type of entry like you usually do when performing ashi-guruma, taking a diagonal step with the left(right) foot then immediately spinning around using rotational force and applying a technique with your right(left) leg. Jumping into the technique and using this energy. This is usually the type of entries with only one step, like Inoue is famous for. This is somewhat explanatory by its name. This entry is usually performed on an retreating uke where you create space between you and uke and you dash in using the "elastic" energy between you, dashing-in as you where to stretch a rubber band if you will. I often refer to this entry as the "rubber-band" entry as explained to me by Katanishi. Oi-komi 追い波 (chasing/dashing-in entry).Usually performed on an advancing uke where he is drawn out by a traditional "3-step" entry. ![]()
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